Ripley’s Believe It or Not Odditorium
You buy your ticket underneath the hanging skeleton of Super-Croc who “didn’t just live at the same time as the dinosaurs, he ate them!” The body of the monstrosity extends over the entrance and you walk into the main hall of Ripley’s Believe it Or Not Odditorium.
The gaudiness of the marquee incited in me the feeling that the place will be a rip-off. Its incredibly centralized, tourist-trap location —Times Square —did not help lessen my dread. I expected one large hall and maybe one or two more rooms after following the staircase. Instead, I spent hours looking through room after room after room of the collection.
If you are a fan of the show, then the odditorium hardly holds surprises. Nonetheless, it is a different experience —looking at six-legged calf skeleton on TV versus seeing it well-lit and rotating in front of you. If you haven’t seen too many (or any) episodes, then the appeal is like that of any sideshow. In any case, the episodes are played for your benefit in various rooms, including a small theater dedicated specifically to that purpose and placed at a point when all you really want to do is sit down anyway. Continue reading
1. Transmetropolitan by Warren Ellis as drawn by Darick Robertson (a collection of 11 books): I am almost ashamed to say it, but I really haven’t picked up anything by this master until about a week ago. And I am completely hooked. The main character, Spider Jerusalem, is the perfect anti-hero in a post cyberpunk dystopic world. He is jaded, cynical, aging and quick to apocalyptic anger. He is not exactly a protector and he is not entirely a marauder; he is a journalist actively digging for the truth and trying to fulfill an infernal book contract. We meet him atop a mountain, naked, covered only by a mane of hair, holding a gun and surrounded by filth while screaming obscenities at a phone receiver and clutching his last 5 dollar bill. It is gory and hilarious. It also makes me ashamed as the horrible truths of the book are not that far off from what is truly happening in the world. Or could happen. Every page brings with it a new atrocity.